{"id":1671,"date":"2015-02-02T21:01:08","date_gmt":"2015-02-02T20:01:08","guid":{"rendered":"http:\/\/new.metal-festivals.com\/?page_id=1671"},"modified":"2015-02-02T21:41:40","modified_gmt":"2015-02-02T20:41:40","slug":"with-full-force-2014-review","status":"publish","type":"page","link":"http:\/\/new.metal-festivals.com\/?page_id=1671","title":{"rendered":"With full force 2014 Review"},"content":{"rendered":"

With Full Force 2014<\/strong>
\nAfter celebrating the 20th birthday of the With Full Force Open Air in 2014 we were excited to see what’s up with the festival twen. Of course the special anniversary day presenting five fans’ favorite bands on thursday last year stayed exclusive and didn’t find repetition. Anyway, the festival organizers were able to confirm an attractive billing lead by Volbeat, Rob Zombie, Mot\u00f6rhead, Hatebreed, Amon Amarth and Bring Me The Horizon. Besides that the other postitions of the billing showed a very interesting mixture of the subgenres Metal, Hardcore and Punk as the WFF visitor is usually used to.
\nThe weather turned out very sunny, sometimes a bit too much. But the prices for drinks (e.g. 0,4 l beer for 2,50 \u20ac) were fair as those ones to pay for food, so this wasn’t a real problem. As there weren’t many in general because for another time the organisation worked very well. Even the billing got short-termed fixed because of Germany’s soccer world championship quarter final which traditionally happened and was won while With Full Force. So nobody had to appear against the German soccer team. Of course the other three games were shown as well on an extra huge screen in the neighborhood of the Tent Stage. Band cancelations weren’t listed this year.
\nOn the airfield of Roitzschjora appeared 60 bands on two stages in three days for about 30.000 visitors.<\/p>\n

Friday<\/strong>
\nMain Stage<\/strong>
\nBlackest Dawn<\/strong> The Deathcore sixpiece from the not so far away Magdeburg had the honor to open this year’s Main Stage program. Lead by their two shouters they enthused the first arrived fans by Deathcore smashers like \u201eCurse Of The Soulgrinder\u201c and the new \u201eWe Are Legions\u201c.
\nMilking The Goatmachine<\/strong> The next drumming vocalist followed by the four german goats bringing Grindcore on stage. Usually the Kn\u00fcppelnacht would have been the better location including the audience, but especially the tracks from the \u201eGreatest Hits – Covered In Milk\u201c – interpretations invited the spectators to party.
\nThe Black Dahlia Murder<\/strong> The energy of this band from Michigan is undescrible. Especially fronter Trevor Strnad showed another agile performance. Their Melodic Death Metahl combined with several Core elements convinced headbangers as circle-pitters by \u201eMiasma\u201c, \u201eStatutory Ape\u201c and \u201eMoonlight Equilibrium\u201c.
\nKataklysm <\/strong>Headbangers shurely had fun when the Death Metal kings from Canada returned to show another strong WFF-Main-Stage-show. Songs from the current \u201eWaiting For The End To Come\u201c – album like its three starting tracks \u201eFire\u201c, \u201eIf I Was God… I’d Burn It All\u201c and \u201eLike Animals\u201c got celebrated as the classics \u201eAs I Slither\u201c, \u201eIlluminati\u201c, \u201eWhere The Enemy Sleeps …\u201c, \u201eTaking The World By Storm\u201c, Manipulator Of Souls\u201c, \u201eIn Shadows And Dust\u201c and \u201eCrippled & Broken\u201c while the sun shined hot.
\nSkindred <\/strong>To enter the stage to the sound of Star Wars’ \u201eImperial March\u201c couldn’t have been cooler. The Fusion between Metal and Reggae influences spread a bit of South American vibes right before the Germany game that was about to begin right after the show. So while several visitors preferred to search for the right place to watch it later on, others celebrated the opener \u201eRat Race\u201c, \u201eNobody\u201c as tracks from the new release \u201eKill The Power\u201c. Well done by the Welsh!
\nCallejon <\/strong>After the 1:0-won of the German soccer team against France the party motivation of the spectators had increased enormously when the quintet from D\u00fcsseldorf entered the Main Stage. So \u201eBlitzkreuz\u201c, \u201eDieses Lied Macht Betroffen\u201c, \u201eSommer, Liebe, Kokain\u201c, \u201eLass Mich Gehen\u201c, \u201eSnake Mountain\u201c, \u201ePorn From Spain 2\u201c and of course the covers \u201eSchwule M\u00e4dchen\u201c of Fettes Brot and \u201eSchrei Nach Liebe\u201c from Die \u00c4rzte got celebrated loudly as actively. For another time the ballad \u201eKind Im Nebel\u201c turned out to a fantastic highlight.
\nHatebreed <\/strong>After co-headlining last year’s extra WFF-pre-day the Hardcore icon from Connecticut returned for another jubilated appearance showing the fivepiece is the most wanted band in Roitzschjora besides Slayer. The numerous fans followed each of shouter Jamey Jasta’s commands jumping, moshing, etc.. \u201eIn Ashes They Shall Reap\u201c, \u201eAs Diehard As They Come\u201c, \u201eHonor Never Dies\u201c and \u201eNever Let It Die\u201c caused a lot of motion on as in front of the stage. But this got even raised by the Hardcore hymns \u201eLive For This\u201c, \u201eI Will Be Heard\u201c \u201eDestroy Everything\u201c. The Hardcore institution rocked their second home for another time.
\nVolbeat <\/strong>How to rock a big crowd is a quality the quartet from Danmark is well-known for. And so they did as they had done three years before. But in contrast to 2011 there was no massive rain disturbing the party opened by the newer song \u201eDoc Holliday\u201c directly beginning after a fireworks. \u201eSad Man’s Tongue\u201c marked the first highlight sang by thousands which did it again a bit later while \u201eRadio Girl\u201c. The whole performance spread pure party atmosphere topped by the encore final consisting of \u201ePool Of Booze, Booze, Booza\u201c, \u201eThe Hangman’s Body Count\u201c, \u201eGuitar Gangsters & Cadillac Blood\u201c and \u201eThe Mirror And The Ripper\u201c while others watched the South American – related soccer world championship quarter final between Brasil and Columbia resulting in a 2:1 for the hosting team. <\/p>\n

Tent Stage: Hardbowl<\/strong>
\nOf Mice & Men<\/strong> Fresh sounding Metalcore from California ruled the Tent Stage. The wonderful melodic hooklines as the live performance of the quintet impressed. The quintet mainly concentrated on their new album \u201eRestoring Force\u201c by \u201eFeels Like Forever\u201c, \u201eYou’re Not Alone\u201c and \u201eWould You Still Be There?\u201c which earned much support.<\/p>\n

Tent Stage: Kn\u00fcppelnacht <\/strong>
\nNile <\/strong>After the \u201eDusk Falls Upon The Temple Of The Serpent On The Mount Of Sunrise\u201c – intro the Death Metal ensemble around Karl Sanders let follow \u201eSacrifice Unto Sebek\u201c and \u201eKafir!\u201c. Their technical aprroachead sound sometimes may cause confusion for new listeners or spectators, but that night the filled tent celebrated the highlight show after midnight ending with \u201eSarcophagus\u201c, \u201eLashed To The Slave Stick\u201c and \u201eBlack Seeds Of Vengeance\u201c.
\nCarach Angren<\/strong> The Symphonic Black Metal trio had to play against numerous spectators leaving the Tent Stage. The corpsepainted Dutch blackies tried to combine orchestral elements and pure Black Metal sound resulting in tracks like \u201eThe Funerary Dirge By A Violinist\u201c and \u201eBitte T\u00f6te Mich\u201c. Anyway, it didn’t convince me as many others at all.
\nDer Weg Einer Freiheit<\/strong> Some kind of Progressive Black Metal was shown deep in the night. The quartet from South Germany created by compositions as \u201eLichtmensch\u201c and \u201eDer Stille Fluss\u201c an atmosphere which caught much more attention than the formation before. No surprise the innovative band was invited to the Euroblast Festival one year before.
\nGrand Supreme Bloodcourt<\/strong> I still don’t know why this band needs to exist as long the three main persons also play pretty similar Death Metal in their main band Asphyx. Anyway, Martin van Drunen knew how to entertain by several football comments while the second Dutch of this year’s Kn\u00fcppelnacht band concentrated on the set basing on their only longplayer \u201eBow Down Before The Blood Court\u201c by \u201eCircus Of Mass Torment\u201c and \u201e… And Thus The Billions Shall Burn\u201c.
\nShining <\/strong>04:10 a.m.: The right time for sicko-fronter Niklas Kvarforth and his little different strange Black Metal band to entertain the left fans which of course got reduced to a fewer audience than four hours ago. But those ones shouldn’t have left the tent disappointed. Kvarforth wasn’t in stupid scandal mood and concentrated on \u201eHan Som Mater M\u00e4nniskran\u201c, \u201eLat Oss Ta Allt Vran Varandra\u201c and the final \u201eFor The God Below\u201c which sent the supporters to their tents.<\/p>\n

Saturday<\/strong>
\nMain Stage<\/strong>
\nDew-Scented<\/strong> The leading German band combining Thrash with Death Metal had the exercise to wake up the visitors, not for the first time in WFF-history. Lead by fronting mainman Leif Jensen they did well again by \u201eCities Of The Dead\u201c, \u201eArise From Decay\u201c, \u201eThrown To The Lions\u201c, \u201eTurn To Ash\u201c and the final \u201eActs Of Rage\u201c causing pit as headbanging action.
\nThe Unguided<\/strong> In my opinion the position betwen the Swedish formation and the opener Dew-Scented should have been switched because of the different number of releases as of the popularity. Whatever, the band mainly consisting of ex-Sonic-Syndicate-members played a similar sound known from their ex-band attracting many curious fans by their catchy choruses. \u201eInception\u201c and \u201eEye Of The Thylacine\u201c from their new \u201eFragile Immortality\u201c – release earned much applause.
\nCarnifex <\/strong>Polite applause changed to several wild circle-pits when the fivepiece from San Diego performed their Deathcore smashers \u201eSlit Wrist Savior\u201c, \u201eDead But Dreaming\u201c and \u201eUntil I Feel Nothing\u201c. After considering by \u201eDragged Into The Grave\u201c as the title track from their new album \u201eDie Without Hope\u201c they finished the probably most brutal appearances of this weekend by \u201eLie To My Face\u201c.
\nWalls Of Jericho<\/strong> This fivepiece from Detroit had developped to one of the most wanted bands in the WFF-audience. No wonder regarding the energy female shouter Candace Kucsulain and her four bandmates invest each show. Starting with \u201eAll Hail The Dead\u201c and \u201eA Trigger Full Of Promises\u201c they kept the crowd in motion resulting in circle-pits and walls of death. And this action continued while \u201eThe Prey\u201c, \u201eRevival Never Goes Out Of Style\u201c and \u201eThe American Dream\u201c. By \u201eRelentless\u201c they presented a new still unreleased song straigt leading to our personal list: WFF-hammer-show \u2192 check. Next: A new hammer-album!
\nIgnite <\/strong>A new album is what many fans expect from the following quintet which brought much more melody on the festivalsite. It’s been eight years and four jubilated WFF-appearances now since their amazing \u201eOur Darkest Days\u201c – masterpiece. But the fifth was supposed to be the last one before their forthcoming album. This one got advertised by the final \u201eNothing Can Stop Me\u201c. Before that the five guys from Orange County, California, animated the numerous fans to singalong and party from the opening \u201eBleeding\u201c over \u201eFear Is Our Tradition\u201c, \u201eVeterans\u201c, \u201ePoverty For All\u201c, \u201eMy Judgement Day\u201c, \u201eKnow Your History\u201c and the U2-cover \u201eSunday, Bloody Sunday\u201c. One of the best shows of the whole weekend! After this we hurried to watch the end of Argentina’s 1:0 vs. Belgium in the soccer world championship quarter final.
\nDevil You Know<\/strong> The band from Los Angeles is the new one of ex-Killswitch-Engage-vocalist Howard Jones. And this for sure was the reason to get such a high billing position with their one and only debut album \u201eThe Beauty Of Destruction\u201c. But they weren’t able to transport the intensity on stage as their both forerunners had done. So just a few supporters in the first rows celebrated \u201eSeven Years Alone\u201c, \u201eCrawl From The Dark\u201c, \u201eIt’s Over\u201c and \u201eShut It Down\u201c which were unknown to the majority of the audience.
\nAmon Amarth<\/strong> After canceling last year’s WFF-appearance the vikings entered the Main Stage to give back what the fans had been waiting for. Except for \u201eWe Shall Destroy\u201c the fivepiece placed newer material from the latest record \u201eDeceiver Of The Gods\u201c in the beginning of their set by the opener \u201eFather Of The Wolf\u201c, the following title track and \u201eAs Loke Falls\u201c. Supported by several pyro effects the best of program containing \u201eDeath In Fire\u201c, \u201eGuardians Of Asgaard\u201c, \u201eCry Of The Blackbirds\u201c as the final \u201eTwilight Of The Thunder God\u201c and \u201ePursuit Of Vikings\u201c a special atmosphere attracting much applause and headbanging support.
\nRob Zombie<\/strong> The main attraction of the billing was the slot of the ex-mainman of White Zombie and his praised show. But before the concert we asked ourselves why there were just 60 minutes planned for the headliner slot. Is Mr Zombie that old demanding it? Opening with \u201eTeenage Nosferatu Pussy\u201c the red lighted stage set and the horror-outfits were the main visual effect for the first half of the show. But what even disappointed more was the seemingly unmotivated performance of Mr Zombie presenting their Industrial Metal like \u201eDead City Radio And The New Gods Of Supertown\u201c, \u201eLiving Dead Girl\u201c or \u201eNever Gonna Stop\u201c as the covers of Diamond Head’s \u201eAm I Evil?\u201c and Alice Cooper’s \u201eSchools Out\u201c nearly bored us as the majority of the audience. Just the hits \u201eSuperbeast\u201c, \u201eDragula\u201c and the White Zombie \u2013 classic \u201eThunder Kiss 65\u201c got more support. After too much smalltalk of Rob Zombie between the songs and the uninspired show it was even finished too early. Just the scintillating effect guitar was cool to watch. But the soccer world championship quarter final penalty drama between the Netherlands and Costa Rica with its 4:3-result was much more tensioning.<\/p>\n

Tent Stage: Hardbowl<\/strong>
\nEmil Bulls<\/strong> For the third time the Bavarian quintet appeared at the Hardbowl. And for another time they rocked by a sympathic as energetic performance the filled tent. \u201eHere Comes The Fire\u201c, \u201eThe Devil And The Deep Blue Sea\u201c, \u201eThe Jaws Of Oblivion\u201c and \u201eWhen God Was Sleeping\u201c invited to party and the crowd took part in. Cool!<\/p>\n

Tent Stage: Saturday Night Fever<\/strong>
\nEskimo Callboy<\/strong> The German sixpack sounded pretty international with their Crossover combining Metal-riffs with Techno-beats a bit reminding to Enter Shikari. Mainly considering material from their new release \u201eWe Are The Mess\u201c they showed this combination worked very well in Roitzschjora.
\nPsychopunch <\/strong>For another time the Swedish Punk Rock constant participated in the Saturday Night Fever. Many fans knowing about their live qualities waited till 1:05 a.m. celebrating \u201eOn My Own\u201c, \u201eMake Up Your Mind\u201c and a couple of further Rock ‘n’ Roll tracks.
\nMalignant Tumour When the four Death ‘n’ Rollers started into their set the tent had become pretty exhausted. Just a small crowd had stayed to support very Mot\u00f6rhead-influenced numbers like \u201eEarthshaker\u201c, \u201eWe Are The Metal\u201c and \u201eOverdose & Overdrive\u201c.<\/p>\n

Sunday<\/strong>
\nMain Stage<\/strong>
\nVolksmetal <\/strong>This day began even hotter than those ones before. Maybe one but for sure not the only reason why the combo playing a mixture between German Folk music with Metal riffs like in \u201eDa Deifel Is A Oachkatzerl\u201c, \u201eFuerstenfeld\u201c or the EAV-cover \u201eK\u00fcss Die Hand, Herr Kerkermeister\u201c didn’t attract that much spectators. Their gig wasn’t nearly as entertaining as for example Elsterglanz or A.O.K. as fun openers the years before.
\nThe Ocean<\/strong> The quality level raised enormously when the experimental quintet from Berlin entered the stage. Just a bit to early considering their usual light as background movie show putting the compositions in the right atmosphere. The artists set their main focus on the recent masterpiece \u201ePelagial\u201c which turned out to an awesome show astonishing lots of spectators. Next time in a later position please!
\nDeath Before Dishonor<\/strong> Boston Hardcore invaded the festivalsite, but not too less. Shouter Bryan Harris and his four comrades ran the stage up and down and animated the crowd to the first remarkable moshpits by \u201eBreak Through It All\u201c, \u201eCount Me In\u201c and \u201eBorn From Misery\u201c.
\nThe Dillinger Escape<\/strong> Plan What followed probably was the madest performance of the whole weekend, musically as regarding the performance. The so-called Mathcore icon from New Jersey showed their spectrum between extreme brutality, high-approached technical skills, songwriting talent and even a bit catchiness. So attackers like \u201eRoom Full Of Eyes\u201c or \u201eCrossburner\u201c met by \u201eOne Of Us Is The Killer\u201c owning pretty much hit-potential. Fronter Greg Puciato climbed up one of the high box towers – and I just thought, \u201ehe really won’t jump down there …\u201c – before he really jumped down without getting injured. Wicked in every of its senses!
\nMadball <\/strong>Not really less agile shouter Freddy Cricien presented himself, and so did the NYC Hardcore – institution running the stage up and down and animating the crowd to several moshpits.The numerous fans celebrated classics like \u201eCan’t Stop, Won’t Stop\u201c as \u201eDNA\u201c from the brandnew output \u201eHardcore Lives\u201c.
\nSepultura <\/strong>On the only day without soccer world championship game appeared the Thrash Metal groove machine from the hosting country. The quartet presented by the opener \u201eThe Vatican\u201c, \u201eImpending Doom\u201c and \u201eManipulation Of Tragedy\u201c three songs from their current album \u201eThe Mediator Between Head And Hands Must Be The Heart\u201c showing they still produce stirring material. Of course the final section consisting of \u201eArise\u201c, \u201eRefuse\/Resist\u201c, \u201eRatamahatta\u201c and \u201eRoots, Bloody Roots\u201c was the most jubilated one. They got special applause when Mot\u00f6rhead’s guitarist Phil Campbell entered the stage to perform the cover \u201eOrgasmatron\u201c together.
\nBehemoth <\/strong>The live quality of this band from Poland had increased enormously over the years. According to this fact Nergal & Co opened by \u201eBlow Your Trumpets Gabriel\u201c and \u201eOra Pro Nobis Lucifer\u201c with songs from the new release \u201eThe Satanist\u201c. Its title track should follow later on. Even more support achieved the well-known \u201eConquer All\u201c, \u201eSlaves Shall Serve\u201c, \u201eChristians To The Lions\u201c and \u201eOv Fire And the Void\u201c. So the Black Metal fourpiece finished the headbang party with \u201eAt The Left Hand Of God\u201c and \u201eChant For Eschaton 2000\u201c.
\nBring Me The Horizon<\/strong> The young Metalcore fivepiece from Sheffield created a sound which couldn’t feel more home than at the WFF. The festival area was packed with motivated supporters. The band itself took the risk to concentrate almost the whole set on their current release \u201eSempiternal\u201c by the opener \u201eShadow Moses\u201c, \u201eThe House Of Wolves\u201c, \u201eGo To Hell, For Heaven’s Sake\u201c, \u201eAnd The Snakes Start To Sing\u201c, \u201eEmpire (Let Them Sing)\u201c, \u201eCan You Feel My Heart\u201c, \u201eAnti-Vist\u201c and the final \u201eSleepwalking in contrast to the older \u201eDiamonds Aren’t Forever\u201c as \u201eChelsea Smile\u201c. Especially the younger part of the audience freaked out to the show.
\nMot\u00f6rhead <\/strong>Young isn’t the world to bring in conjunction with the Rock ‘n’ Roll icon. After canceling last year’s participation mainman Lemmy Kilmister felt better although this year’s heat was comparable to that one in Wacken eleven months ago when they broke off because of Lemmy’s health problems. This time everything worked well beginning with \u201eDamage Case\u201c over \u201eMetropolis\u201c, by \u201eLost Woman Blues\u201c a track from their latest release \u201eAftershock\u201c, \u201eGoing To Brazil\u201c and \u201eKilled By Death\u201c. The stageacting of Mr Kilmister was pretty static, and the fact they obviously played slower songs emphasized my impression Lemmy still isn’t even nearly at 100 %. Maybe \u201eAce Of Spades\u201c and \u201eOverkill\u201c (supported by Sepultura’s Andreas Kisser) were the last songs many spectators had seen of this band, or maybe not. We’ll see and all the best to Lemmy!<\/p>\n

Tent Stage: Hardbowl<\/strong>
\nComeback Kid<\/strong> A lesson in energy and how to pack it into 60 minutes on stage was shown by the quintet from Winnipeg. Especially fronter Andrew Neufeld probably ran a few kilometres, most of them backwards by the way. They performed a well-balanced set between the title track from the new album \u201eDie Knowing\u201c, Hardcore-hymns from the Symptoms & Cures\u201c – masterpiece by \u201eDo Yourself A Favor\u201c, \u201eG.M. Vincent And I\u201c, \u201eBecause Of All The Things You Say\u201c and \u201eThe Concept Stays\u201c as classics like \u201eBroadcasting\u201c and \u201eWake The Dead\u201c. The packed tent celebrated them all. Awesome!<\/p>\n

Tent Stage: The Last Supper<\/strong>
\nFinntroll <\/strong>The ending of each WFF is marked by the great The Last Supper. This time it started with superfluous Folk \/ Black Metal before continuing with better bands. The decision to wear artificial Star-Trek-Ferengi-ears which were supposed to be fantasy-troll-ears must have been felt in the darkest drug phase of someone’s poor person. Anyway, the appearance turned out as rediculous as the outfits. But a couple of fans had fun with \u201eNattf\u00f6dd\u201c, \u201eBloodsvept\u201c and \u201eTrollhammaren\u201c. Whatever, why!
\nMoonspell <\/strong>The Portuguese Gothic Metal original probably appeared for the fourth time at The Last Supper, and for another time bandleader Fernando Ribeiro and his band knew how to hold the crowd in the tent by little costume gimmicks and a musically created atmosphere guaranteed by \u201eNight Eternal\u201c, \u201eAxis Mundi\u201c, \u201eAlpha Noir\u201c and \u201eEm Nome Do Medo\u201c. But most jubilation got provoked by Moonspells big 4 known as \u201eOpium\u201c, \u201eVampiria\u201c, \u201eAlma Mater\u201c and \u201eFull Moon Madness\u201c.
\nTwilight Of The Gods<\/strong> Behind this pretty new formation stand well-known musicians as vocalist Alan Averill from Primordial, drummer Nicholas Barker from Lock Up and three Norwegian musicians from Thyrfing, Aura Noir and Einherjer. Logically their set consisted of tracks from their current output \u201eFire On The Mountain\u201c like its title track and \u201eThe End Of History\u201c which sounded very retro. Too retro for many spectators who left the tent during the show.
\nLong Distance Calling<\/strong> This became a disadvantage for the final band of the day as of the whole WFF 2014. The Instrumental formation from M\u00fcnster would have probably hosted much more visitors, but those ones who had stayed couldn’t leave this atmospheric 40 minutes filled with a well-balanced set including the recent album \u201eThe Flood Inside\u201c – track \u201eDuctus\u201c, \u201eArecibo (Long Distance Calling)\u201c and the final \u201eBlack Paper Planes\u201c. Fantastic!<\/p>\n

Conclusion<\/strong>
\nThis year the structure of the area wasn’t changed that much as it had done especially the two years before. Everything worked as well as we are used to at the WFF.
\nThe happy-end of the soccer story is well-known: The German team became world champion. One element of this success was seen in Roitzschjora as many more musical moments for every visitor had happened. Several ones are probably unforgettable for each person. So it’s up to everybody to return, we will for sure!
\nOur special thanks go out to Madeline Friedemann and the WFF-team!!!!! At the With Full Force 2014 rocked, drank and partied Tobi Wan Kenobi, Lotte and Ailuj!!!!!<\/p>\n","protected":false},"excerpt":{"rendered":"

With Full Force 2014 After celebrating the 20th birthday of the With Full Force Open Air in 2014 we were excited to see what’s up with the festival twen. Of course the special anniversary day presenting five fans’ favorite bands on thursday last year stayed exclusive and didn’t find repetition. Anyway, the festival organizers were … <\/p>\n

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