{"id":470,"date":"2011-03-09T20:09:03","date_gmt":"2011-03-09T19:09:03","guid":{"rendered":"http:\/\/new.metal-festivals.com\/?page_id=470"},"modified":"2011-03-09T20:09:03","modified_gmt":"2011-03-09T19:09:03","slug":"with-full-force-2005-review","status":"publish","type":"page","link":"http:\/\/new.metal-festivals.com\/?page_id=470","title":{"rendered":"With full force 2005 Review"},"content":{"rendered":"

With full force<\/strong>
\nThis Festival unites all kinds of harder music! Black Metal, Death Metal, Thrash Metal,Speed Metal, Gothic Metal, Melodic Metal, Metalcore, Hardcore, Punk, Rock, Crossover: You can name any sub-genre of ass-kicking music, you will find it on the WFF which is pretty unique in Europe by this high billing quality. Of course this year the billing represented this wide-spread mixture again and the organizers held the high standards they had set the years before. And they were even able to improve the headliner positions to a nearly unachieveable optimum for this year.
\nAt the airfield of Roitschzjora played 63 bands on three different stages (Besides that Mambo Kurt appeared on the Jim Beam Stage on the camping area.) in three days in front of about 25000 visitors.<\/p>\n

Friday<\/strong>
\nMain Stage<\/em>
\nMastodon <\/strong>The second time I watched them live after they had supported together with Hatesphere the The Haunted-tour. And although they played an original complicated sound close to Neurosis they were boring again. But they had enough die-hard-fans who were curious about tracks like \u201cI Am Ahab\u201d, \u201cIron Tusk\u201d and \u201cBlood And Thunder\u201d.
\nObituary<\/strong> The first highlight on the Main Stage was the return of the Death Metal-legend from Florida. After a much too long intro fronter John Tardy and co began with the new \u201cRedneck Stomp\u201d and let follow \u201cThreatening Skies\u201d while the crowd was freaking out. For the first time of today the pit-security had to a lot to do and was probably happy when the fivepiece finished their gig with the new \u201cInsane\u201d and the classic \u201cSlowly We Rot\u201d. Cool, but somehow not completely convincing, so it became boring in the middle of the set. But I\u2019m looking forward to their next shows.
\nKillswitch Engage<\/strong> Since I had been visiting the WFF I had wished this band for the ideal one fitting to this festival. And now it happened! The band entered a place where they belong to: Onto the big stages of this planet! After I had seen their amazing tour shows in Essen and Cologne a few months before I was a witness following their first-class material also works in front of thousands of people. They started with the opener of the new masterpiece \u201cThe End Of Heartache\u201d (\u201cA Bid Farewell\u201d) and a big moshpit started and didn\u2019t rust during songs from the new album (\u201cBreathe Life\u201d, the two single hits \u201cThe End Of Heartache\u201d, \u201cRose Of Sharyn\u201d), as from the debut \u201cAlive Or Just Breathing\u201d (\u201cLife To Lifeless\u201d, \u201cFixation Of The Darkness\u201d, the first single \u201cMy Last Serenade\u201d as the last played title). The crowd was kept in motion like the band. So much that bassist Mike D\u2019Antonio fell about two metres from the stage. But he didn\u2019t hold in for a second, stood up, climbed on stage and kept on rocking. A big rocker is guitarist Adam Dutkiewicz who seemed to act influenced by some miles & more \u2013rule and pulled many faces. Singer Ron Howard inspired by his variable voice and the great interpretation of their many hits banned on just three albums. Overwhelming!
\nIn Flames<\/strong> Gothenburg\u2019s Melodic Death Metal-founders performed an exclusive Open Air Show (this year\u2019s only one in Germany). Definitely exclusive was the show of In Flames followed by a pyro-spectacle I had rarely (or maybe never) seen before. The start into their concert consisting of \u201cCloud Connected\u201d, \u201cTouch Of Red\u201d, \u201cPinball Map\u201d, \u201cSystem\u201d and \u201cDrifter\u201d blasted the audience away returning to wild motion. In the last third of their one hour lasting performance the fivepeace inspired by the hits \u201cOnly For The Weak\u201d and \u201cThe Quiet Place\u201d they brought with \u201cGraveland\u201d a \u201cThe Jester Race\u201d classic before leaving their lots of fans with \u201cTrigger\u201d and \u201cMy Sweet Shadow\u201d. What a show and what a display of fireworks!
\nSlayer <\/strong>I have never seen a better Slayer showcase than this one. What doesn\u2019t really mean they were good. But this time the favourite band of the WFF-visitors (polls can attest that clearly) was nice and the audience had the very rare honour fronter Tom Araya was even talking to them. Unbelievable! Besides that it was a typical Slayer-gig: More motivated than usual, but still pretty unmotivated, and still celebrated by an endless number of supporters who were happy to see their faves. And those played after the opener \u201cDarkness Of Christ\u201d with \u201cDisciple\u201d the only newer track and satisfied their fanbase by a classic-setlist including \u201cWar Ensmble\u201d, \u201cNecrophiliac\u201d, \u201cDead Skin Mask\u201d,\u201dShow No Mercy\u201d, \u201cRaining Blood\u201d and \u201cSouth Of Heaven\u201d. After the Ami-Thrash-icon surprised with \u201cSilent Scream\u201d which became ironically very symbolic for this performance which sound was much too low (like in Wacken 2003). So they closed the showcase with \u201cMandatory Suicide\u201d and the jubilated \u201cAngel Of Death\u201d. The fact that \u201cHell Awaits\u201d and \u201cSeasons In The Abyss\u201d weren\u2019t played didn\u2019t really matter anyone.<\/p>\n

Tent Stage: Hardbowl<\/em>
\nBarcode <\/strong>The Danish Hardcore-institution played a very cool gig keeping their Hardcore-fans and convincing most of \u00b4Barcode-averages`. Produced by the Danish star-producer Tue Madsen the band and especially Jacob Bredahl (known as the fronter of Hatesphere) who penetrated the guitar had fun with their supporters anyway.
\nCataract<\/strong> Another band mixed by Tue Madsen who had also produced their current \u201cWith Triumph Comes Loss\u201d-hammer. The Swiss Metalcore formation are one of those which definitely fit to the Hardbowl. So they reached a nearly full tent which says all for that early time. With smashers like \u201cNothing Left\u201d active fronter Fedi and his guys had no problem keeping the big bunch alive.<\/p>\n

Tent Stage: Kn\u00fcppelnacht<\/em>
\nUnleashed<\/strong> The first Kn\u00fcppelnacht-act held a Death Metal-gig becoming one whole triumph. Johnny Hedlund felt great about it and communicated with his motivated fans in the most song breaks. The Swedes also brought some ass-kicking material to Roitzschjora: The opener \u201cTo Asgard We Fly\u201d, \u201cDeath Metal Victory\u201d, \u201cVictims Of War\u201d, \u201cInto Glory Ride\u201d, \u201cBefore The Creation Of Time\u201d were the right food for the hungry crowd.
\nGorgoroth <\/strong>This high standards set by the band acting before the Blackies from Gorgoroth weren\u2019t able to hold. So the tent became much emptier. Tracks like \u201cProcreating Satan\u201d, \u201cForces Of Satan\u201d, \u201cDestroyer\u201d, \u201cIncipit Satan\u201d and \u201cRevelation Of Doom\u201d just entertained a few supporters. What the devil went wrong? \uf04a
\nGod Dethroned<\/strong> The sympathic Death Metal-band from the Netherlands played another bomb-set similar to Unleashed and definitely unsimilar to Gorgoroth. And the people hadn\u2019t been going to sleep the band before. They filled up the tent again and went wild to the opener of their current and now seventh release \u201cThe Lair Of The White Worm\u201d (\u201cNihilism\u201d) as to the well-known older stuff (\u201cInto The Lungs Of Hell\u201d, \u201cBoiling Blood\u201d, \u201cThe Tombstone\u201d, \u201cArt Of Immolation\u201d, \u201cSigma Enigma\u201d, \u201cThe Warcult\u201d). Cheers to Henri Sattler and his colleges for this performance!
\nCarpathian Forest<\/strong> \u201cLet\u2019s Go To Hell!\u201d What a welcome to their audience saluted by fronter Nattefrost. But the show didn\u2019t become as spectacular. It was the second corpsepaint-group this night and the second one of the Kn\u00fcppelnacht which didn\u2019t really rule. They were better than Gorgoroth, but somehow very ordinary. The tent became much emptier again, and those who stayed were allowed to listen to ordinary Midtempo Black Metal like \u201cBlack Shining Leather\u201d or \u201cNuclear Fucking Deathmachine\u201d (What song titles! \uf04a). Much more entertaining was Nattefrosts attempt speaking Geman: \u201cIch bin ein Kugelschreiber!\u201d You can translate it in English as: \u201cI\u2019m a ball-pen!\u201d
\nIlldisposed <\/strong>The main reason for my mission to stay till the end of the Kn\u00fcppelnacht were the Danish cocaine-fans! And my special hint for this year\u2019s WFF should become the greatest performance of the whole strong billing! Starting after the cool intro with the opener of the new album \u201c1 \u2013 800 Vindication\u201d (\u201cI Believe In Me\u201d) and the new single (\u201cStill Sane\u201d) the band ruled the tent from the first played tone. All maniacs hadn\u2019t gone to their own little tent went to the big one where the music was played. And they chose the right decision for sure and joined a big party to great Death Metal-hits (\u201cDark\u201d, \u201cAnd Now We\u2019re History\u201d, \u201cNear The Gates\u201d, the final \u201cIn Search Of Souls\u201d). As you may see they concentrated mainly on material from the new album. Normally no good decision for a band calling seven longplayers their own. But here it worked because the new one is even more killer than those ones before are. For the cool wild party atmoshere cared Mr. Frontman and entertainer himself Mr. Bo Summer with his funny comments held in brilliant German between each song. One example of many: After the third song: \u201cGermany is our second home country!\u201d – Jubilation from the spectatorside \u2013 \u201cLiechtenstein is our first one!\u201d Fantastic!!!
\nBehemoth<\/strong> At 4:35 a.m. Black Metal from Poland was supposed to invade the tent. While their appearance I nearly slept in twice. And the few madmen who still hadn\u2019t left made the same passive impression. On the other hand the band wasn\u2019t able to recall the mob to life as the band before had done. Nevertheless I waited till the end (5:15 a.m.) without having really fun. Next time the band can trie it again to convince with titles like \u201cConquer All\u201d by another billing position. Good night! \uf04a<\/p>\n

Saturday<\/strong>
\nMain Stage<\/em>
\nKataklysm <\/strong>Holy shit! Another appearance by the Canadians which showed me why I enjoy them so much. Hayperblastspeed-Death Metal in a perfection never seen before was served in the hot afternoon. They caught many fans starting this day\u2019s Mainstage-pit to \u201cAmbassador Of Pain\u201d, \u201cAs I Slither\u201d, \u201cSerenety In Fire\u201d, \u201cIlluminate\u201d, \u201cManipulator Of Souls\u201d and with \u201cCrippled And Broken\u201d a new track from their forthcoming album. Very strong and impressing performance!
\nSuch A Surge<\/strong> They were the German Crossover-shooting-stars in the middle of the 90ies. Ten years later they seemed like shadows of their own. Most people went to the Hardbowl following nowadays Metalcore-shooting stars Maroon. In the beginning of their set the sixpack played newer titles (\u201cRadiosong\u201d, \u201cO.K.\u201d) most spectators didn\u2019t care about. When they began to play older hits (\u201cSilver Surger\u201d, \u201cChaos\u201d, \u201cGegen Den Strom\u201d, \u201cSchatten\u201d) enough visitors felt animated by the two very active vocalists Olli and Michel to jump to. But most of the time this appearance was boring!
\nSick Of It All<\/strong> The NYHC-institution around the Koller-brothers Lou and Pete had much more following than Braunschweig\u2019s finest before. Nevertheless I need to mention I had already seen them in a better mood. Anyway the fourpiece inspired a big crowd and brought them more old school-stuff than expected (\u201cBreeders Of Hate\u201d, \u201cMy Life\u201d, \u201cStick Together\u201d, \u201cInjustice System\u201d, \u201cJust Look Around\u201d) and organized a big monster version of a wall of death which Lou divided in one \u201cIron Maiden\u201d- and in one \u201cMerauder\/Murphy\u2019s Law-side\u201d. So they dismissed their supporters with their hits \u201cStep Down\u201d and \u201cScratch The Surface\u201d (jubilated by thousands of stretched fists) who had seen a good performance.
\nIron Maiden<\/strong> Every year the WFF-headliners are able confirm big headliners. And this year they presented the Heavy Metal-legend from the UK what had surpassed my high expectations. The idea to only play material from their first four longplayers found much consent on tour as on the WFF. After the intro \u201cIdes Of March\u201d The NWOBHM-icon opened with \u201cMurders In The Rue Morgue\u201d in front of a huge audience filling up the festivalsite. In the beginning of the show the fans needed to get used to the well-mixed, but too low sound. So in this first part of the concert the atmosphere wasn\u2019t as brilliant as it should become during the appearance. Then songs like \u201cThe Trooper\u201d, \u201cRemember Tomorrow\u201d, \u201cRun To The Hills\u201d and \u201cWhen Eagles Dare\u201d were jubilated loudly by the loyal fans. Those saw with vocalist Bruce Dickinson a vocalist always being in action, and many special effects. Besides a big pyro-show and often changing Backdrops, Eddie entered the stage and satan himself gave a guest-appearance while \u201cHallowed Be Thy Name\u201d which got celebrated by thousands of supporters like \u201cThe Number Of The Beast\u201d, \u201cIron Maiden\u201d, \u201cRunning Free\u201d or the final \u201cSanctuary\u201d. Besides that we as many media weren\u2019t allowed to do photos! Anyway a memorable show! Up The Irons! Also for the guy waiting for almost 20 years to watch his idols who preffered to let his \u00b4yellow rain` in his empty beer cup instead of visiting the restrooms. \uf04a<\/p>\n

Tent Stage: Hardbowl<\/em>
\nMurphy\u2019s Law<\/strong> For the first time I watched the NYHC-institution who played a show which can only place you into a good mood. The sympathic fourpiece played Party-Hardcore at its best. During the whole gig the fronter was weaponed with a J\u00e4germeister-bottle. This one he held in the drumkit which became a percussion-part of it when the drummer played a solo in the middle of a Reggae-song. Another highlight became the Black Flag-cover \u201cSix-Pack\u201d. Great entertainment!
\nTerror <\/strong>After I had missed the Californian Hardcore-band on last year\u2019s WFF this year I was curious about following their gig this time. And in contrast to the band before the guys from the other coast didn\u2019t plan to be funny. With highspeed-material which also grooved they caused the hugest pit in the Hardbowl-tent. The short tracks rocked the stage and the crowd turned the tent into a battle-ground. Between the titles shouter Scott Vogel entertained with a lot of self-irony. The rest of the time the band impressed by their performance. What a massacre!
\nMaroon <\/strong>Another band like Cataract whose time had definitely come to play on the Hardbowl. And the fivepeace from Nordhausen justified their good position in the billing with an energetic performance. After the intro they started with \u201cWatch It All Come Down\u201d and \u201cChosen Fate\u201d. As Terror they reached an almost full Hardbowl-tent while Such A Surge played for much less spectators. They also impressed by hard-riffing material which was just a little lower and included a few more harmonies. Lead by a funny as active fronter Andr\u00e9 Moraweck people moshed to \u201cShadow Of The Vengeance\u201d, \u201cThe Worlds Havoc\u201d as to the set finishing \u201cEndorsed By Hate\u201d and \u201cStillborn\u201d. Cool show!
\nDie Kassierer<\/strong> The chaos Punk-band returned after two years to the WFF. Of course they entered the stage to the \u201cStar Wars\u201d-intro. And of course fronter W\u00f6lfi was just suited by pants showing his belly. The pants didn\u2019t survive the show which was necessary for the track about a penis being too big for sexual action. Other topics this evening: sex with the social worker, a polka about stinking pussies, a song about hate, sex with an alien. The supporters celebrated the chaotic show whether the four punks from Bochum-Wattenscheid played tracks from the new output \u201cM\u00e4nner, Bomben, Satelliten\u201d or classics. As you can imagine all the songs dealt with the same theme complex. A cool chaotic show by the Punk-originals whose singer W\u00f6lfi also is the top-candidate for a chaotic party called APPD which will take part in the national German elctions in september.<\/p>\n

Tent Stage: Saturday Night Fever<\/em>
\nKnorkator <\/strong>Another chaos on the sympathic way was brought by Stumpen, Alf Ator, Buzz Dee & Co from Berlin. Beginning after midnight with the debut-track \u201cKurz Und Klein\u201d the band played in a tent full of madmen who all wanted to party. The band entertained with brilliant as intelligent black humour in songs like \u201cDer Ultimative Mann\u201d, \u201cIch Lass Mich Klonen\u201d, \u201cWie Weit Ist Es Bis Zum Horizont\u201d (including explanations on a flip-chart), \u201cIch Will Nur Fickn\u201d, \u201cNarrenkappe\u201d and the farewell \u201cB\u00f6se\u201d. It\u2019s always a real pleasure to follow their shows, especially on festivals.
\nBrainless Wankers<\/strong> Somehow my way lead me back to the Tent Stage where a sevenpiece celebrated their Ska-Punkrock. So I stayed for a while watched them like most of the surprised visitors for the first time. Nice!<\/p>\n

Sunday<\/strong>
\nMain Stage<\/em>
\nDew-Scented<\/strong> In the early hot afternoon everybody was invited to get woken up by the Death\/Trash-band. After the short-termed cancelation of this day\u2019s headliner Mot\u00f6rhead each band earned some more time to play on the new fixed timetable. The guys from Braunschweig started with \u201cNew Found Pain\u201d and \u201cBitter Conflict\u201d. The fans felt motivated by the riff-attack to bang their heads to \u201cUnconditional\u201dand \u201cSoul Poison\u201d. In the end of the show fronter Leif dedicated the new track \u201cNever To Return\u201d to Maroon-fronter Andr\u00e9 Moraweck and left a satisfied audience.
\nNuclear Assault<\/strong> A total disappointment was caused by the US-Speed\/Thrash-heroes around fronter John Connelly and bass original Danny Lilker. The band bored through its set and the area in front of the Main Stage became much emptier. Even their classics \u201cF#\u201d, \u201cButtf**k\u201d and \u201cHang The Pope\u201d didn\u2019t change that fact. They need to improve a lot about their live presentation.
\nPro-Pain<\/strong> Then Gary Meskil and Co showed how to rock the Main Stage. And this should become one of the best performances of this year\u2019s WFF. After a cool intro the band began with \u201cStand Tall\u201d to let it follow the grooving \u201cIn For The Kill\u201d. This inspired the huge crowd to jump to the smashers of the Hardcore-icon from New York City. Grown to a fourpiece again Gary Meskil and his comrades obviously had much fun playing for such a crowd thankfully celebrating every song. So they did while \u201cMake War (Not Love)\u201d and the set closing B\u00f6hse Onkelz-cover \u201cTerpentin\u201d.
\nHellacopters Rock \u2018n\u2019 Roll at its best! After the canceled Mot\u00f6rhead-gig the Swedes around front-rocker Nicke were the only band left of its style. So in front of a nice little backdrop the fourpiece spread a little 70ies flair on the Main Stage. It wasn\u2019t a big mob raging on the festival area. But the fourpiece caught numerous of spectators enjoying the relaxed rocking atmosphere spread over the festivalsite. The highlight to me was their hit \u201cBy The Grace Of God\u201d. Cool!
\nAnthrax <\/strong>Now promoted to the headliner of With Full Force\u2019s Sunday getting ten minutes added Anthrax played their nostalgy show awaited by a lot of fans. Besides Scott Ian and Charlie Benante the line-up got completed by Frank Bello, Dan Spitz and Joey Belladonna. This line-up hadn\u2019t played live together for more than twelve years. Frank was the same stage animal as he had been the years beofore, but he just returned to the band after a short time of being out. The people focussed on Dan who did his job very well and singer Joey who showed after some problems in the beginning a surprising performance. From the beginning with \u201cAmong The Living\u201d, \u201cGot The Time\u201d and \u201cCaught In A Mosh\u201d over \u201cMadhouse\u201d, the Trust-cover \u201cAntisocial\u201d and \u201cIndians\u201d until the phenomenal end consisting of \u201cI\u2019m The Man\u201d (Frank Bello rules!), Metal Thrashing Mad\u201d, the Pantera-cover \u201cA New Level\u201d dedicated to Dimebag Darrell and \u201cI Am The Law\u201d which was dedicated to the sick Lemmy they fascinated their fans. They were a worthy headliner for sure totally accepted by the crowd which partied to the Thrash Metal-classics. Honestly: It made a lot of fun to watch this line-up perfoming together the early years-material. But nevertheless the band should return to their unbeatable singer John Bush. This can only be the way. Showcases like this one become so cool because they are unique. Otherwise they become a comedy of itself!<\/p>\n

Tent Stage: Hardbowl<\/em>
\nFear My Thoughts<\/strong> The Metalcore-hopefuls from Freiburg played an energetic gig holding the tent visitors in motion. Especially the tracks from the latest release \u201cThe Great Collapse\u201d (the title track and \u201cReign\u201d) really kicked ass. The band also introduced new material from the forthcoming album which showed them involving to the Swedisch Melodic Death-sound. The band caught the crowd organizing some moshpits. Cool show! Just the unlucky comment about the tragedy on a metalcore event short time before was really stupid. Fronter Mathias noticed that and corrected himself after the next song.<\/p>\n

Tent Stage: The Last Supper<\/em>
\nSubway To Sally<\/strong> The Folk Rock\/Metal-protagonists opened with \u201cVeitstanz\u201d and \u201cKnochenschiff\u201d. After a few other tracks of their newer days like \u201cOhne Dich\u201d or \u201cDas Letzte Abendmahl\u201d they rewarded their loyal fanship tent with classics like \u201cFalscher Heiland\u201d, \u201cHenkersbraut\u201d, \u201cMephisto\u201d and \u201cJulia Und Die R\u00e4uber\u201d. So the sevenpiece inspired the filled tent dancing to their mediterrean aera songs.
\nFinntroll <\/strong>Another tent-party followed. Now the main actors presented Viking Metal. The fans celebrated each track thankfully. Besides the new \u201cEliytres\u201d the tracks \u201cM\u00e4nniskorpesten\u201d, \u201cTrollhammeren\u201d and \u201cJaktens Tid\u201d earned the biggest applause.
\nEl\u00e4kel\u00e4iset <\/strong>The Polka-alcohol-attack from Finland offered for another time funny Polka-versions of Pop-, Rock- and Metal-classics (\u201cBreaking The Law\u201d, \u201cLike A Virgin\u201d) while the musicians consumed some vodka. Another – in the meantime – little smaller party.
\nHaggard <\/strong>Definitely no party was the Haggard-appearance. Assis Nasseri, his band, the additional female singers and the orchestra didn\u2019t really impress me. This whole show became a little ridiculous. I hadn\u2019t seen them for a long while. So I was disappointed the band hadn\u2019t evolved after their innovative second album \u201cAnd Thou Shalt Trust The Seer\u201d. Instead of that one female singer entertained comically with her affected headbanging and Assis seemed to enjoy their weak show.<\/p>\n

Jim Beam Stage<\/em>
\nMambo Kurt<\/strong> After some fan took off his pants to show what needn\u2019t be shown Mambo Kurt rocked the stage on the campsite close to the festival area with his hammond organ-interpretations of well-known classics like \u201cThe Final Countdown\u201d, \u201cRaining Blood\u201d or \u201cMy Heart Will Go On\u201d and entertained a not too small crowd well.<\/p>\n

Conclusion:<\/strong>
\nThe With Full Force-festival is one of the most attractive festivals in Europe. Every year the organizers are able to offer a high standard billing for a more than fair price. From the smallest underground band to the biggest headliner stars in all different styles of harder music you can watch high quality. So the short time-cancelation of the Mot\u00f6rhead-headliner-appearance (Lemmy layed down sick in hospital) didn\u2019t become such a big problem as it would have become to other festivals. Besides that the visitors again had the opportunity to watch skateboard and motorcycle stunt-events next to the Tent Stage. The organization of the festival was as usual top and the food- and beverage-prices were low for another time (e.g. 2,30 Euro for a 0,4l beer or softdrink).<\/p>\n

Special thanks go out to Susann \u201cSusi\u201d Raditzky and the WFF-team!!!!!<\/p>\n

At the With Full Force 2005 rocked, drank and partied Tobi Wan Kenobi and Dumbo!!!!!<\/p>\n","protected":false},"excerpt":{"rendered":"

With full force This Festival unites all kinds of harder music! Black Metal, Death Metal, Thrash Metal,Speed Metal, Gothic Metal, Melodic Metal, Metalcore, Hardcore, Punk, Rock, Crossover: You can name any sub-genre of ass-kicking music, you will find it on the WFF which is pretty unique in Europe by this high billing quality. Of course … <\/p>\n

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